Gibbon called the art and literature of the latter days of the Roman Empire “the second childhood of human reason”.
Back in the days when European art was the greatest the world has ever seen, the wealthy and powerful Cornaro family patronized the artist Bernini because he was a great artist. Because high status people like the Cornaro family patronized great artists, great art was high status, and, circularly, the Cornaro family gained status by patronizing great art, such as The Ecstasy of Saint Teresa, which features the Cornaro family as much as a Coca Cola advertisement features coca cola.
Similarly, in Restoration England, high status people patronized science because it was high status, and it was high status because high status people patronized it, starting with King Charles the Second.
Then the government gets into funding art. But the large bureaucratic government funding organization inevitably gets captured by recipients, as Cornaro family could never be captured, as King Charles the Second could never be captured. Funds are distributed for grantsmanship, not art quality. The greatest experts in grantsmanship could draw no better than a small child.
So drawing like a small child comes to be deemed high status.
Neo reactionaries are fond of authority, but need to remember that there is lot that centralized authority cannot do, starting with operate a modern economy. Large organizations suffer from diseconomies of scale, and a severe agent/principal problem. Without aristocrats, kings are not much good.




